To fine-tune your spaces there are the usual Mix and Output level controls, an Over LED indicator, and Proc(ess) bypass button, plus a very useful two-band shelving EQ section with fully variable turnover frequencies that lets you create darker environments or those sizzling special effects.Įasyverb comes with 51 useful presets, providing all the usual options from tiny rooms through to vast sacred spaces, with a fair sprinkling of extras including various ambiences, guitar amp springs, and plates of varying dimensions. Spring models the lumpier dual-mono sounds of multi-spring studio reverbs very effectively, while Plate emulates the considerably smoother mechanical studio devices of yesteryear, and does so far more convincingly than the other native reverb plug-ins I compared it with, other than the very much more expensive Waves Renaissance Reverb. Arena is a huge hemispherical dome with lots of early reflections but far fewer obvious late reflections due to the lack of hard surfaces, while Cathedral provides the very smooth decay of a huge angular space with lots of hard reflections. Hall is one of the most complex algorithms, simulating a multi-sloped environment, but like all the others I found it to have a very smooth and non-metallic tail. Club is a 'multi-room' with a small stage attached to one end of a larger theatre or club space. Room mimics small rectangular spaces, while Chamber has a slightly more complex dual-sloped ceiling to provide a richer set of reflections. A small icon is displayed for the current choice, which helps greatly in understanding the shapes or technologies being simulated.Īmbience provides a short burst of early reflections ideal for livening up drum sounds and the like without adding obvious reverberation, which can be difficult to create with reverb plug-ins that use a single generalised algorithm. The clever part is that each of the nine algorithms - Ambience, Room, Chamber, Club, Hall, Arena, Cathedral, Spring and Plate - has its own virtual acoustic construction, complete with different source and 'mic' positions, giving each one a completely different build-up and spread of early reflections, reverb tail and overall sound. The two controls in question are Time, which determines the decay time and hence the 'size' of the space, and Damp, which lets you add high-frequency damping to taste. As its name suggests, Easyverb provides reverberation effects, but aims to make life easier for the user by replacing most of the traditional parameters such as shape, diffusion, room size, pre-delay, and so on by just two main controls and a choice of algorithms. Over the last few years PSP have quietly built up an excellent reputation for the quality of their plug-ins, and Easyverb looks set to continue that trend. Like the Echophon, it's coded by Tom Erbe of soundhack.Formats: PC Direct X, VST & RTAS Mac OS X Audio Units, VST & RTAS More than an end of chain effects unit, it's a whole new building block for modular synthesis. Travelling between spaces is possibly by modulating the algorithms or manually sweeping parameters. The continuously variable algorithm allows for hybrid and unreal spaces to be found. Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The Erbe-Verb music synthesizer module is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.
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